Story Coutesy of FSU News, by Anna Prentiss 

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Florida State University’s School of Dance presents “An Evening of Dance,” an annual event that showcases the ingenious choreography and wide range of performance talent of the school’s students and faculty.

Performances for “An Evening of Dance” will take place at 7:30 p.m. Friday, Nov. 19, and at 2 p.m. and 7:30 p.m. Saturday, Nov. 20, at the Nancy Smith Fichter Dance Theatre in Montgomery Hall. The concert series offers a captivating arrangement of classical, contemporary and modern pieces.

“Students’ and faculty’s devotion to their craft and distinction in the field of dance is undeniable, making for a memorable and thrilling event,” said Anjali Austin, chair of the School of Dance.

An excerpt of legacy artist and choreographer Ronald K. Brown’s work, “Four Corners,” originally commissioned in 2014 by the Alvin Ailey American Dance Theatre and choreographed by Artistic Director of EVIDENCE Dance, Ronald K. Brown, and set to the music of Carl Hancock Rux, will be restaged by eight current students and alumni performers.

Brown’s choreography blends modern dance and West African influences to portray figures as they seek a life of peace and freedom with the help of “the angels in their corners.”

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School of Dance Krafft Professor Suzanne Farrell, internationally recognized New York City Ballet principal dancer, 2005 Kennedy Center Honoree and founder of Suzanne Farrell Ballet Company, is restaging an excerpt from George Balanchine’s “Divertimento No. 15.” Former Suzanne Farrell Ballet company members Kristin Gallagher and Michael Cook assisted Farrell in setting three different casts of FSU dance majors to perform the reconstructed piece.

Rachel Hunter, adjunct faculty, production manager and FSU Dance alumna, will restage retired School of Dance faculty member Dan Wagoner’s “Suite Dan,” a collection of three solos that demonstrate an element of Wagoner’s character and style of movement.

Associate Professor Gwen Welliver’s 2015 dynamic piece “What a Horse!” will be restaged and performed by School of Dance students. Inspired by Paul Klee’s 1928 drawing of the same name, Welliver used the image of the distorted and obscure horse to create a fast-paced and physically demanding performance.

Hunter worked alongside Wagoner on this process and studied archival footage to adapt each solo. Broken Hearted Rag Dance parades a quirky humor while blending a sense of levity against intense speed. Eyes Like Empty Ballrooms reveals emotions and limitations observed and experienced through the maturation of human form and physicality. Short Ride in a Fast Machine blazes the stage with a show of power, speed, and control.

Dan Wagoner performed with Martha Graham, Merce Cunningham and Paul Taylor. His work has been performed by numerous companies in the United States, Canada and abroad. Associate Professor Gwen Welliver’s What a Horse! premiered at LaMaMa, in New York City (2015).

Welliver is a Bogliasco Foundation Fellow, New York Foundation for the Arts Fellow and a New York Dance and Performance Bessie Awardee for Sustained Achievement.

Tickets for “An Evening of Dance” performances are $18 for adults, $16 for senior citizens, $12 for children and non-FSU students, and $10 for FSU students with ID. All seating is general admission. Tickets can be purchased online or at the Montgomery Hall Box Office with a credit or debit card starting one hour before each performance.

For more information or to purchase tickets, visit tickets.dance.fsu.edu.

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Florida State University’s Jawole Willa Jo Zollar has received the 2021 MacArthur Fellowship — also known as the “genius grant” — for using the power of dance and artistic expression to celebrate the voices of Black women and promote civic engagement and community organizing.

Zollar, a professor at FSU’s School of Dance and founder of Urban Bush Women (UBW), will receive the $625,000, a no-strings-attached award from the John D. and Catherine T. MacArthur Foundation, granted to talented individuals in a variety of fields who have shown exceptional originality in and dedication to their creative pursuits. She is the first FSU faculty member to receive a MacArthur Fellowship.

“We are thrilled that Professor Jawole Willa Jo Zollar has been awarded the MacArthur Fellowship,” said FSU President Richard McCullough. “She is a national treasure and so deserving of this prestigious grant that recognizes exceptional creativity.”

Over the past 12 months, Zollar’s work, through UBW, has also received backing from The Ford Foundation and philanthropist MacKenzie Scott.

“This is an incredible honor for Jawole,” said Sally McRorie, provost and executive vice president for Academic Affairs. “Florida State University is privileged to have such an extraordinary artist, educator and humanitarian as our colleague, friend, devoted teacher and mentor.”

Zollar founded the celebrated New York dance company Urban Bush Women in 1984 and joined the faculty of the FSU School of Dance in 1997.

“Professor Zollar has made a truly distinctive mark as an artist and a leader,” said James Frazier, dean of the College of Fine Arts. “The MacArthur Fellowship is a profound and well-deserved honor, the result of decades of commitment to her vision of the Urban Bush Women and her stellar accomplishments as the founding artistic director of the ensemble and as a celebrated choreographer of iconic dances that resonate with emotional integrity and prioritize resilience and transcendence.”

Zollar is a choreographer and dance entrepreneur who has forged a style of dance-making and artistic leadership that tethers dance to cultural identity, civic engagement, community organizing and imperatives of social justice. UBW is known for its ability to weave contemporary dance, music, and text with the history, culture and spiritual traditions of the African Diaspora. The company galvanizes artists, activists, audiences and communities through performances, artist development, education and community engagement.

“Movement is the foundation of life,” Zollar said. “Dance takes this human imperative to an expressive imperative that supports our ability to make meaning and deepen our understanding of this world. Through this lens, I work to build leadership, choreograph new works, and create strategies for community engagement and organizing. I am inspired by how, when, and under what circumstances people move. It is never ending.”

This summer, Zollar’s UBW received a $3 million gift from philanthropist MacKenzie Scott — one of 286 high-impact contributions from Scott, part of $2.7 billion in donations, given to organizations and communities that have been historically underfunded. And, in October 2020, UBW received a seven-figure award from the Ford Foundation as part of an initiative to recognize Black, Latinx, Asian, and Indigenous arts organizations negatively impacted by COVID-19.

Throughout her career, Zollar has also received numerous accolades, including a Guggenheim Fellowship in 2009 and the Robert O. Lawton Distinguished Professor Award at Florida State, the highest honor given by the FSU faculty to one of its own. In October, she will also be presented with Dance Teacher magazine’s 2021 Award of Distinction, which is given to outstanding educators for their contributions to their field.

“We, at FSU, are exceedingly fortunate to count her among our own because she is equally committed to her work as a faculty member, bringing to bear the breadth and depth of her thriving professional experience to her engagement with students and with faculty colleagues,” Frazier said.

For more information, visit https://www.urbanbushwomen.org/ or https://www.macfound.org/fellows/class-of-2021/jawole-willa-jo-zollar.